Lambros Pigounis lives in Athens and specialises in the field of contemporary classical and electroacoustic composition. He studied violin and theory of music at the Greek Conservatoire in Athens. From 1998-2001 he studied electroacoustic composition at the University of Hertfordshire (UK). While he was working on his degree, he pursued additional studies with Jonathan Harvey, Javier Alvarez, Jonty Harrison and Ambrose Field. He continued his studies at the City University of London, where he completed an MA in Electroacoustic Composition supervised by Simon Emmerson and Denis Smaley.

​Additional studies include also seminars and masterclasses in the field of computer algorythmic composition, and violin improvisation for theatre and dance. He has appeared in concerts and festivals, such as the Laban’s Dance Festivals (UK), Greenwich and Docklands International Festival (UK), the Northern Exposure of Contemporary Dance and Video Festival (UK), the Mercat de les slors (SP), the International Platform of Arts (PT), the DAL NIENTE 3 Projects (UK), Synch Festival (GR), Athens Digital Art Festival (GR), Moving Silence Festival (DE), Athens and Epidaurus Festival, Tanz im August (DE), Hebbel Am Ufer (DE), Ibsen Festival (NO) and in numerous concerts and broadcasts around the world.

He teaches at SAE Athens Institute of Technology and he is currently a visiting artist at the Estonian Academy of Music and Theatre. His main artistic activities are Sound Art works and physical sound art performances as well as collaborations with musicians, directors and choreographers. His recent works include the Micropolitics of Noise. A Long Durational Sound Art Performance commissioned by the Marina Abramovic Institute and NEON, commissions by the HAU Hebbel am Ufer Theater in Berlin, Rimini Protokoll as well as several other commissions for theatre, dance and film. He is currently researching the ethics and politics of sound in acoustic ecology through the input of the human agent in electroacoustic performance based on interactive compositional models.